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"The Scientific Opinion" № 8 (Art history, philology and philosophy of science), 2015

PROTESTANT CHORALES IN “VIERSTIMMIGE CHORALGESÄNGE” OF J. S. BACH

E. L. Alexandrova
Price: 50 руб.
 The paper is devoted to the topical and diffi cult questions: the correlation between
poetry and music, music form, melodics and texture in “Vierstimmige Choralgesänge”
of J. S. Bach. Special attention is paid to the chorale genre and the baroque epoch.
K e y w o r d s: chorale, music, polyphony, harmony, texture, form.
References
1. Aleksandrova E. L. Chetyrekhgolosnye khoraly (Vierstimmige Choralgesänge) I. S. Bakha: uchebnoe posobie dlya muzykal’nykh vuzov po kursu garmonii. SPb., 2015.
2. Afonina N. Yu. Malye formy v muzyke Vysokogo Renessansa i Barokko: formoobrazuyushchaya rol’ muzykal’nogo sintaksisa: lektsii. SPb.: Izd-vo Politekhn. un-ta, 2006.
3. Kyuretyan T. S. Formy v muzyke epokhi barokko // Formy v muzyke XVII–XX vekov. 2-e izd., ispr. M.: Kompozitor, 2003. S. 121–171.
4. Tyulin Yu. N. Prakticheskoe posobie po vvedeniyu v garmonicheskiy analiz na osnove khoralov I. S. Bakha. L., 1927.
5. Shveytser A. I. S. Bakh. M., 2002.
Price: 50 рублей
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