E. L. Alexandrova
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The paper is devoted to the topical and diffi cult questions: the correlation between
poetry and music, music form, melodics and texture in “Vierstimmige Choralgesänge”
of J. S. Bach. Special attention is paid to the chorale genre and the baroque epoch.
K e y w o r d s: chorale, music, polyphony, harmony, texture, form.
References
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2. Afonina N. Yu. Malye formy v muzyke Vysokogo Renessansa i Barokko: formoobrazuyushchaya rol’ muzykal’nogo sintaksisa: lektsii. SPb.: Izd-vo Politekhn. un-ta, 2006.
3. Kyuretyan T. S. Formy v muzyke epokhi barokko // Formy v muzyke XVII–XX vekov. 2-e izd., ispr. M.: Kompozitor, 2003. S. 121–171.
4. Tyulin Yu. N. Prakticheskoe posobie po vvedeniyu v garmonicheskiy analiz na osnove khoralov I. S. Bakha. L., 1927.
5. Shveytser A. I. S. Bakh. M., 2002.