The article is devoted to the complicated creative way of the Chinese artist Wu
Guanzhong, the development of his creative manner and analysis of the main works.
The author notes the artist’s difficulties related to the time when art depended on state
political propaganda.
Key words: art, Chinese painting, skill.
References
1. Ai Zhongxin. O krasote maslyanoy zhivopisi. Zhurnal Meyshu (Izobrazitel’noe iskusstvo). 1962.
2. Wu Guanzhong. Avtobiografiya U Guan’chzhuna. Pekin: Narodnoe literaturnoe izdatel’stvo. 2004.
336 s.
3. Wu Guanzhong. U Guan’chzhun. Gongongskiy muzey iskusstv. 1995. 156 s.
4. Wu Guanzhong. Sobranie sochineniy U Guan’chuna. Gongong: izdatel’stvo Ven’khuey. 199. 1480 s.
5. Wu Guanzhong. Peyzazh zhizni. Pekin: Oktyabr’skoe izdatel’stvo literatury i iskusstva. 1998. 424 s.
6. Chen Zheilin. Istoricheskoe issledovanie kitayskogo khudozhestvennogo obrazovaniya XX veka.
Pekin: Izdatel’stvo universiteta Tsinkhua. 276 s.
7. Yu Jing. Khronologiya zhizni U Guan’chzhuna. Shankhay: Shankhayskiy khudozhestvennyi muzey.
2009.
