N. M. Shabalina
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The major forms of creative organisation in the industrial art production – individual
hand work and collective mechanised labour – are examined in the paper as exemplified in the material of the Ural industries (carpet weaving and porcelain). Based on the commercial organisational form, the art industry preserved and used handicraft work, developing the form of creative experimental laboratories at the same time. In conclusion the author shows the dependence of the industries’ economic potential on the activity of experimental creative laboratories.
Key words: art industry of the Ural region, experimental creative laboratories, applied
art, industrial production.
References
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