The article is devoted to the development and perfection of techniques of playing the
organ-piano keyboard through the positional principle of training. The main directions
of its application are denoted. This principle is analysed basing on the free-bass accordion with the Kravtsov system (organ-piano) keyboard. The methodical recommendations are given and the additional facilities of this system in the realisation of the principle under study are shown.
of motor and artistic techniques of a musician-performer.
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