In traditional Peking opera face-paint as an art contains rich cultural traditions and bases of the aesthetic ideology of China. The face-paint art has a wealth of original aesthetic characteristics, which are closely related in the traditional aesthetic culture of China. The author of the paper studies the inflence of the Chinese traditional aesthetic culture on the creation of stage characters by means of face-paint for traditional Peking opera.

Key words: Chinese aesthetics, face-paint art, aesthetic characteristics.

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