Abstract. The article deals with the multifaceted creative activity of Ignaz Moscheles (1794– 1870). The fi gure of this composer and pianist, one of the greatest virtuosos of the fi rst half of the 19th century, is poorly covered in Russian musicology. Based on foreign sources, the article traces the creative path of Moscheles, from his youth in Prague and Vienna to the late period, when the musician became one of the leading professors at the Leipzig Conservatory. The article analyses the treatise “Méthode des méthodes pour le piano” (Paris, 1840), written by Moscheles together with F.-J. Fétis, summarising the experience of clavier and piano art of the late 18th century and the fi rst third of the 19th century. The creative activity of Moscheles’ outstanding students is also briefl y characterised.
Keywords: clavier, piano, performance, epoch, virtuoso, pedagogy, conservatory, method, treatise, Moscheles, Fétis
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