The paper is devoted to studying the development history and artistic
features of the Shanghai propaganda poster, which occupied a dominant
position in the art of the poster of the People’s Republic of China from 1949
to 1976. The decisive stimulating role in the formation of the Shanghai
propaganda poster of this period was played by the posters of the end of
the Qing Dynasty and the period of the Republic of China. At present, it
is extremely necessary to impartially and objectively study the art of the
era of Mao Zedong as one of the sections of art history, and also from the
standpoint of art history, to study the place of the propaganda poster as a
type of painting that incorporates the best art techniques in the history of
Chinese art, as well as to trace it evolution. In no way the poster can be
considered only as an instrument of ideological propaganda of the Chi-
nese Communist Party, otherwise signifi cant gaps will remain in the study.
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