Wang Huixian, M. V. Smirnova
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DOI:https://doi.org/10.25807/PBH.22225064.2020.54.59.64
In the XXI century, the traditional Chinese string instru-
ment erhu is widely known not only in China, but outside
the country as well. The erhu repertoire today is divided
into two parts: traditional and modern. The paper deals
with the repertoire’s specifi c features and the problems of
its differentiation, gives the examples of traditional nota-
tion and the modern pieces of erhu music as well as the
recommendations for the correct stylistic performance of
the modern erhu repertoire.
Keywords: music, traditions, modernity, instrument, erhu, repertoire, work, style, character, notation, symbol, text, performance, instructions, bow, body, authorship.
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