The paper discusses the ubiquitous and frequent practice of misrep-
resentations of the poetic text in the literary criticism. A comparative
analysis of three articles, which analyze E. Dickinson’s ‘Success Is
Counted Sweetest’, highlights such distortions and clarifi es their causes.
As a solution to the current practices leading to signifi cant misrepre-
sentations, the paper comes up with an analytical method based on
a series of reconstructive procedures that impose the relevant frames
which set the parameters for identifying the meaning of the poem in
a comprehensive and non-contradictory manner.
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