E. E. Roshchina
Price: 0 руб.
DOI:https://doi.org/10.25807/22225064_2021_65_66
The paper highlights the peculiar spirit of dance in the music of A. N. Scriabin, which was noted by most choreographers. The author reveals patterns of the composer’s turn to dance genres. The paper describes the features of the specifi c fi gurative layer in the works of A. N. Scriabin, manifested in “fl yness” and in a special atmosphere of playing.
Keywords: Scriabin, “Mysterium”, “Prefatory Action”, choreographic miniatures.
REFERENCES
1. Zhitomirskiy D. A. N. Skryabin. M.: Muzyka, 1977. 574 s.
2. Koonen A. A. Stranitsy zhizni. M.: Iskusstvo, 1985. 446 s.
3. Levaya T. Russkaya muzyka nachala XX veka v khudozhestvennom kontekste
epokhi. M.: Muzyka, 1991. 166 s.
4. Lunacharskiy A. V. Taneyev i Skryabin. M.: 1927. 135 s.
5. Sabaneyev L. Vospominaniya o Skryabine. M.: Klassika — XXI, 2000. 391 s.
6. Skryabin A. Pis’ma. M.: Muzyka, 2003. 491 s.
7. Surits E. Khoreografi cheskoe iskusstvo dvadtsatykh godov. M.: Iskusstvo, 1979.
359 s.
8. Sheremet’yevskaya N. Tanets na estrade. M.: Iskusstvo, 1968. 256 s.