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The article is a comparative study of the Emperor’s palatial ensembles of Russia and China: the Moscow Kremlin and the Forbidden City, i.e. Gugong, consideration of forms,
principles of development of artistic characteristics of the above architectural complexes, comparison of signifi cance of their cultural heritage, description of both unique and similar features of these constructions.
Keywords: the Moscow Kremlin, Gugong, palace ensemble, historical development,
composition, museum.
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