H. V. Hakobyan
Price: 50 руб.
Tigran Mansourian’s Concerto for violin and string orchestra is considered in the paper
in the following aspects: 1) polyphonic techniques, their role in music processualness;
2) local features of the form, its cohesiveness and logics of the proportional correlation
of the movements; 3) correspondence of the expression means, selected by the composer,
to the achieved artistic result. Th interpretation problem has two aspects: the objective
one, connected with inviolable fulfilment of the composer’s indications in text, and the
subjective aspect relating to a performer’s individual features.
Key words: Concerto for violin and string orchestra, Tigran Mansourian.
References
1. Anastasia Tsioulcas. In Armenia, discovering the past and the present / Billboard, New York, mar 27 2004.
2. Meline Toumani. Bending Folk to Fit a 12-Tone Style and Vice Versa / Th New York Times, New York, January 23, 2005.
