E. L. Aleksandrova
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The sound space arrangement in terms of pattern-background relations in piano music
of Viennese classics is considered in the paper. The author determines archetypes
of the classical type of thinking in art and reveals stylistic features of the texture of
great Viennese classics – J. Haydn and W. A. Mozart, compared to their less known
contemporaries.
Key words: Viennese classicism, texture, harmony, pattern and background, mode,
syntax, evolution.
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