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Humanities and Science University Journal | Archive
Humanities and Science University Journal № 78 (Philology and Archaeology, World History, Art History), 2024
Journal Article:
Oleg B. Ostrovskiy
His Serene Highness Prince Alexander Sergeyevich Menshikov (1787–1869). Governor-General of Finland, Minister of the Navy, Commander-in-Chief
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Vladimir A. Gurevich
The Film Music of D. Shostakovich: the Analysis of “Chronometric” Data
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Igor V. Tomashevsky, Vladimir P. Konnov
The Concerto for Piano and Orchestra in the Works of Scandinavian Composers (1890–1900s)
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Tatyana K. Nikolskaya
The Genesis of the Seventh-Day Adventist Reformation Movement
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Liu Zixin
The Piano Suite “Pushkin Tales” by Sergey Banevich
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Li Meng
Soviet Portrait Painting in China in the 1950s–1960s
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Huang Jingzhi
Features of Vocalist Li Huiqiao’s Interpretation of Some Works by R. Strauss
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Natalia V. Vladimirkina
Application of the “Pillar-Free Gavit” Principle in Russian Church Architecture
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Xu Weijia
Music for Wind Instruments in Modern China
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Ji Muhan
Yang Xiinzi as a Representative of the Jin Telin Vocal and Performing School: Adapting the Principles of Bel Canto for the National Repertoire
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Ekaterina I. Porizko, Olga I. Porizko
A Musical Offering by Nikolai Rakov: Nine Pieces for Piano Four-Hands
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Olga A. Vorobyeva, Qu Wa
Programmatic Cycles for Piano in the Creative Heritage of Wang Lisan
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Svetlana V. Kudrya, Natalia O. Magnes
Terms for Impositive Practices in Fiction. Translation Perspectives
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Daria M. Demidovich
Homeowners of Saint Petersburg at the End of the 19th Century: Numbers, Social, National and Gender Composition
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Alisa A. Shirshikova
Linguistic Terminology in German-Language School Grammars of the Second Half of the 18th Century
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Guo Hongzhi
Opera Mastery of Nikolai Okhotnikov
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Lin Lin
Signs of the Style of Early Romances by N. S. Golovanov
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Wang Ruoqi
Images of National Poetry in Works of Chinese Composers (the case of art songs by composer Lu Zaiyi)
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Geng Jia
The Refl ection of the Timbre Characteristics of Chinese Folk Instruments in Piano Works by the Chinese Composer Chu Wanhua
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Dai Tianyi, Galina V. Abdullina
The Embodiment of the Tragic in the Qin and Peking Operas
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