G. P. Ovsyankina, E. N. Yakovleva
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DOI:https://doi.org/10.25807/PBH.22225064.2020.56.48.58
The paper is devoted to the characterization of the late
chamber vocal cycles of B. I. Tishchenko in the aspect of the
manifestation of the paradoxical duality principle in them.
It is a distinctive feature of the composer’s vocal works of
the mid-1990s — early 2000s. The principle of paradox made
the musical content more realistic, large-scale, and multi-
dimensional, and made the chamber vocal cycle ambiguous
in terms of genre. The source of the paradoxical approach
is the specifi c selection and arrangement of literary primary
sources. The vocal cycles “The Devildraft”, “Simple Truth”,
“The Orange” are involved in the study.
Keywords: chamber vocal cycle, literary source, paradoxical duality phenomenon,
vocal genre, means of musical expression, musical content.
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