R. G. Shitikova
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DOI:
https://doi.org/10.25807/PBH.22225064.2018.42.124.132
The article is devoted to the issue of transformations of the genre system in
the 20th century music and its projection on the sonata genre. One of the
main stimuli for the changes is the integration process, which characterizes
the development mechanisms of modern culture. Three vectors of interaction
and, accordingly, modifi cations of the genre system and its components have
been constructed: vertical, horizontal and vertical-horizontal. Each of them is
considered in detail. The fi rst one concentrates on active assimilation of think-
ing norms, form creating patterns, and compositional methods that are not
typical of the basic genre, while the main, attributive features of the original
model are maintained. The horizontal vector represents the intensive interac-
tion of different genres, leading to the emergence of numerous genre mixes,
which do not go beyond the limits of musical art , though. The third way of
transformation is modeled as synthesis of music and related art spheres, such
as poetry, literature, visual arts, theater, as well as the use of new information .Рand computer and media technologies, and unorthodox sources of sound.
Keywords: 20th century music, genre, sonata, transformation, integration, modification
vector, “depressurization” of the genre.
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