A. I. Leskov
Price: 50 руб.
Works of many researchers analyse the mechanisms of perception of musical sense.
In particular, scientists repeatedly stated the need to identify conventional units in
a musical message. In this study, the author defines timbre as a component of the
musical language, which forms an invariant border in the interpretation of musical
sense. Timbre is seen as an initiator of intersensory associations – synesthesias filling
individual elements of the musical language with meaning. Thus, timbre is defined as a
boundary forming the foundation of the musical meaning interpretation. The research
at the intersection of traditional musicology, semiotics and social psychology is noted
for originality and novelty.
Key words: timbre, synesthesia, perception, interpretation, invariant border of
meaning.
References
1. Vertgeymer M. Produktivnoe myshlenie. M.: Progress, 1984. 382 s.
2. Mol’ A. A. Teoriya informatsii i esteticheskoe vospriyatie. M.: Mir, 1966. 351 s.
3. Frantova T. V. Neklassicheskie polifonicheskie formy v muzyke sovetskikh kompozitorov 60−70-kh godov // Problemy muzykal’noy formy v teoreticheskikh kursakh vuza: sb. tr. / RAM im. Gnesinykh. M., 1994. Vyp. 132. S. 216−232.
