E. l. Alexandrova
Price: 50 руб.
The article discusses the origins of the homophonic way of thinking in the art of the Middle
Ages and the Renaissance. It is prehistory, the most complex period for interpretation.
Analysing various sources, the author traces the beginnings and the first “sprouts” of the
homophonic, highlight-background relations in the Western European musical art.
Key words: homophony, highlight and background, texture, form, composition, space,
music, painting.
References
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2. Batkin L. M. Ital’yanskie gumanisty: stil’ zhizni i stil’ myshleniya. M.: Nauka, 1978. 199 s.
3. Yevdokimova Yu. K. Mnogogolosie srednevekov’ya. X–XIV veka. M.: Muzyka, 1983. 461 s.
