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The article is devoted to one of the unique genres of folk-professional theater in SouthEastern China — Chenhe tunes. For the first time in the domestic literature the author
provides analytical data about the different compositional, structural, musical and
dramatic elements of the genre, intricately combining secular and religious traditions.
K e y w o r d s: ethnic minorities of China, genre specifics, Chenhe tunes, structure, form,
melody, instrumentation.