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The traditional oriental folk theatres are described in the paper. The author considers
such phenomena of oriental theater as Peking and Sichuanese operas, Noh, and also the
types of Korean performing art – madanggeuk, talchum, and pansori, that are almost
unknown in Russia. The specifi ed theatrical forms are analysed fi rst of all in terms of
using improvisation in them.
Key words: improvisation, oriental theatre, Peking opera, Sichuanese opera, Noh
theatre, madanggeuk, talchum.
References
1. Bak Dzhinte. Estetika i teoriya vostochnoy dramy. Seul, 2005.
2. Kim Chandzha. Komediya del’ arte. Seul, 2005.
3. Li Gyute. Emotsional’naya struktura koreytsa. Seul, 1994.
4. Choy Vun. Traditsionnaya drama i sovremennaya drama v Koreye. Seul, 2003.