The subject of this paper is the chamber-vocal music by Valery Arzumanov, the most prominent representative of the Russian
musicians abroad. The chronological representation of his chamber-vocal compositions testifi es to the large scale of this legacy component of the Russian-French composer. The originality of the instrumental compositions which accompany the vocal part and
diversity of the poetic palette, combined with stylistic goals, characterize uniqueness of Arzumanov’s creative talent, which, unfortunately, is still concealed from the general musical community.
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