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Humanities and Science University Journal № 65 (Philology and Archaeology, World History, Art History), 2021

Valery Arzumanov’s «Forgiveness» Concert: Semantics of Artistic Imagery and Compositional Architectonics

E. K. Mnatsakanyan
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 DOI:https://doi.org/10.25807/22225064_2021_65_49
The content of the paper is devoted to the choral heritage of the world’s famous composer and musician, one of the brightest representatives of the Russian musicians abroad — Valery Arzumanov. The author’s attention is focused on the «Forgiveness» 
choral concert, which continues the theme of repentance in the composer’s work. Analytical refl ections are focused on the fi gurative and semantic content of the opus, the features of its musical drama, and compositional solution.
Keywords: Valery Arzumanov, choral concert, compositional structure, artistic imagery, 
repentance theme.
REFERENCES
1. Arzumanov V. Proshchenie: Kontsert dlya smeshannogo khora a cappella, op. 161. 
Avtorskaya rukopis’.
2. Gulyanitskaya N. S. Poetika muzykal’noy kompozitsii. Teoreticheskie aspekty 
russkoy dukhovnoy muzyki XX veka. M.: Yazyki slavyanskoy kul’tury, 2002. 432 s.
3. Mnatsakanyan E. K. Valeriy Arzumanov. Cherty khorovoy biografi i // Aktual’nye 
problemy vysshego muzykal’nogo obrazovaniya. 2018. № 3 [49]. S. 45–50.
4. Girard A. Valйry Arzoumanov. Compositeur hors du temps. [S. l.]: А ciel ouvert, 
 
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