A.Yu. Shpagina
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DOI:https://doi.org/10.25807/22225064_2021_65_44
This paper examines universal Baroque cyclical genres. The Baroque era with its established functional vocal and dance genres, which inevitably lost their signifi cance together with the tradition that had generated them, created new universal and
artifi cial genres. They were destined not only to outlast the time, but via constant transformations to have a marvelous ability to be redefi ned and to converge with other genres.
Keywords: Baroque music, baroque genres, the interpretation of music, J. S. Bach,
S. Frank, M. Reger, G. Korchmar
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