Since the piano appeared and gained popularity in China in the 19th century, within 150 years of the composition and piano practice some playing techniques have become different from the traditional European playing manner. The goal of the given work
is to analyze, to reveal, and to determine particular techniques, based on imitation of playing national instruments, which allows understanding specifics of performing Chinese piano compositions.
Keywords: pentatonic harmony, fingering, timbre, interpretation, sound imitation,
piano, imitation of instrument playing.
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