LoginRegistration
For instance: Humanities and Science University Journal
About consortium subscription Contacts
(812) 4095364 Non-commercial partnership
St. Petersburg
university
consortium

Articles

Humanities and Science University Journal № 62 (Philology and Archaeology, World History, Art History), 2021

Font as a Drawing (China and Russia)

Li Ningxuan
Price: 0 руб.
 DOI:https://doi.org/10.25807/22225064_2021_62_130
The paper examines development of calligraphy of «fl owers and birds», Russian initial letter and artistic styles from different points of view. Chinese «fl owers and birds» calligraphy (a genre of Chinese calligraphy) and Russian lettering are one of the examples of the calligraphy art in the two countries. By comparing and analyzing these two forms of calligraphy, you can fi nd the essence of the art of calligraphy under the infl uence of different cultures. How the combination of Chinese calligraphy and «fl owers and birds» painting in comparison with the Russian alphabet reflects the national culture of China and Russia, and consequently forms aesthetic feelings.
Keywords: calligraphy of “flowers and birds”, initial letter, art, national culture, artistic 
fonts.
REFERENCES
1. Bukvitsa kak iskusstvo / Yarmarka Masterov. URL: https://www.livemaster.ru/
topic/2088137-bukvitsa-kak-iskusstvo-uzornaya-tajna-zaglavnoj-bukvy (data obrash-
cheniya: 26.12.2019).
2. Van Tszy Yuy Go (王子于戈) / Entsiklopediya. URL: https://baike.baidu.com/
item/王子于戈/3111672?fr=aladdin (data obrashcheniya: 26.12.2019).
3. Gegel’ G. V. F. Estetika v 4 t. M.: Iskusstvo, T. 3. 1971. 623 s.
4. Grosse Ernst. Proiskhozhdenie iskusstva / per. s nem. A. E. Gruzinskiy. Moskva: 
M. i S. Sabashnikovy, 1899. 293 s. 
5. Duan’ Iyutsay. Kommentariy. Iz’yasneniyu pis’men i tolkovaniyu ieroglifov. // 
Izdatel’stvo drevnikh knig Chzhetszyana, 1998. S. 757–759. (段玉裁,《说文解字
注》,浙江古籍出版社,1998年,第757–759页).
6. Ivanovskaya V. I. Russkie ornamenty. M.: Izd-vo V. Shevchuk, 2006. 266 s.
7. Mech Goutszyanya (越王勾践剑) / Vikipediya. URL: https://zh.wikipedia.org/
wiki/%E8%B6%8A%E7%8E%8B%E5%8B%BE%E8%B7%B5%E5%89%91 (data 
obrashcheniya: 26.12.2019).
8. Murashkin I. S. Khudozhestvenno-obraznye vozmozhnosti kirillitsy v sovremen-
nom grafi cheskom iskusstve // Vestnik MGKHPA im. S. G. Stroganova. Dekorativnoe 
iskusstvo i predmetno-prostranstvennaya sreda. M., 2016. S. 249–261.
9. Novikova N. V. Osobennosti izucheniya russkogo ornamenta v detskoy khu-
dozhestvennoy shkole // Vestnik GSGU. 2015. № 2 (26). S. 40–43. 
10. Syuy Syuebyao. Izuchenie «nyaochzhuan’» Tsin’ i Khan’. // Kitayskaya kalli-
grafi ya. Pekin, 2016. S. 178–182. (徐学标.秦汉虫书研究.中国书法.北京.2016年.178-
182页).
11. Tsyuy Chen, Tsyuy Yumin. Issledovanie proiskhozhdeniya i evolyutsii tsve-
tochnykh i ptich’ikh personazhey. // Otraslevoy i tekhnologicheskiy forum. Pekin, 
2011. S. 118–120. (渠成,渠玉民.花鸟字的源流与演变探究.产业与科技论坛 
2011.118–120页).
12. Chzhan Daoi. Slovar’ kitayskogo narodnogo iskusstva // Nankin: Tszyansu 
khudozhestvennoe izdatel’stvo. 2001. 620 s. (张道一.中国民间美术辞典.南京:
江苏美术出版社2001年.620页).
13. Chen’ Khaylun. Izuchenie drevnekitayskogo «iskusstva liniy» // Kitayskiy 
tsentral’nyi pedagogicheskiy universitet. U Khan’, 2004. 119 s. (陈海龙.中国古代《
线的艺术》研究.华中师范大学.武汉.2004年. 119页).
 
Price: 0 рублей
To order