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DOI:
https://doi.org/10.25807/22225064_2021_61_107
The given paper is the fi rst in music studies to consider Anton Rubinstein’s piano concerto No. 2 in F-dur, op.35. This composition, created in the heyday of the prominent Russian pianist’s career, has not gained popularity in either the performing or pedagogical sphere. Currently the concerto is rarely performed. The paper touches upon the history of the concerto creation, considers its compositional features, expressive performance devices, brief description of the concerto interpretation by today’s pianists. The author makes a conclusion that studying the piano concerto No. 2 by Anton Rubinstein can become an important stage of skill improvement for both Russian and Chinese musicians. The work at this concerto trains pianists to perform piano concertos by P. Tchaikovsky, S. Rachmaninoff, A. Scriabin, S. Prokofi ev etc.
Keywords: music, composer, pianist, piano, techniques, virtuosity, artistry, concerto, genre, stage.
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