I. V. Ostromogilsky
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DOI:https://doi.org/10.25807/22225064_2021_61_47
The paper examines various manifestations of sonorism in Russian orchestral music of the 1960s–2000s. The author analyzes technological synthesis, which is the combination of sonorism with aleatorics, serial technology. In addition, the author reveals the features of instrumentation in musical works for symphony orchestra by composers of different generations.
Keywords: sonorism, aleatorics, timbre blocks, orchestral space, detailed structural organization, Russian music of the 1960s–2000s.
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