Yu. Yu. Gudymenko
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DOI:https://doi.org/10.25807/PBH.22225064.2020.59.48.55
The paper is devoted to the analysis of new content and compo-
sitional motifs in the portrait art of Russia at the beginning of
the 19th century, which represent the main trend in European
art of the time: an attempt to create the image of a new liberated
person, not limited by the norms of society. A simple and cred-
ible style of communication with the viewer, diversity and ease of
movement of models - these motifs become popular in portraiture
after the French Revolution. Most of all, this is demonstrated
by the works of Йlisabeth-Louise Vigйe Le Brun, Jean-Laurent
Mosnier, Orest Kiprensky, Alexander Warnek and others.
Keywords: Russian portrait painting, Rossica, portrait images, composition in portrait,
Йlisabeth-Louise Vigйe Le Brun, Jean-Laurent Mosnier, Orest Kiprensky.
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