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Humanities and Science University Journal № 58 (Philology and Archaeology, World History, Art History), 2020

A. Rubinstein’s Etudes as the Foundation for the Genre of Russian Concert Etude

Xu Jingya
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 DOI:https://doi.org/10.25807/PBH.22225064.2020.58.115.122
The paper considers etudes op. 23 by A. Rubinstein, which the com-
poser created in the period of developing his piano mastery. The opus 
under study laid the foundation of Russian concert piano etude and 
was a precursor of compositions by P. Tchaikovsky, S. Rachmaninoff, 
A. Scriabin etc. The author reveals the essence of A. Rubinstein’s 
innovative principles for developing piano technical skills. The author 
emphasizes the role of the given opus in educating a generation of 
Russian pianists. The paper provides the analysis of each etude by 
Rubinstein in terms of its playing and methodological positions. The 
author draws a conclusion that today’s musicians and teachers, by 
turning to the forgotten past, can spot a number of interesting ideas 
and enrich their repertoire.
Keywords: pianist, virtuoso, composer, epoch, history, modernity, opus, teacher, 
piano, stage, technique, etude, method, repertoire, composition, improvisation, exercise. 
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