LoginRegistration
For instance: The List of VAK
About consortium subscription Contacts
(812) 4095364 Non-commercial partnership
St. Petersburg
university
consortium

Articles

Humanities and Science University Journal № 58 (Philology and Archaeology, World History, Art History), 2020

Higher Professional Piano Training in China: Twenty First Century

V. A. Gurevich, Xie Heng
Price: 0 руб.
 DOI:https://doi.org/10.25807/PBH.22225064.2020.58.36.41
The paper is devoted to general issues of periodization of the 
modern Chinese piano education. It deals with the evolution of 
university piano training in the process of the rapidly changing 
Chinese pianist society in the “period of reform and opening up”. 
The author proposes his own version of periodization, believing 
that the mid-2000s marked a new period in the evolution of the 
“Chinese piano”, associated with the transition from an extensive 
to an intensive type of the piano culture.
Keywords: piano culture, Chinese pianism, periodization, qualitative transformation, 
higher specialized education.
REFERENCES
1. Byan’ Men. Stanovlenie i razvitie kitayskoy fortepiannoy kul’tury. Pekin: Khuale, 
1996. 181 s.
2. Byan’ Men. Sut’ russkogo fortepiannogo iskusstva — napisana posle pervogo 
vizita professora Murinoy v Kitay // Zhurnal Tsentral’noy konservatorii muzyki. 2002. 
Vyp. 2. S. 70–74.
3. Khuan Syuydun. Navsegda voshedshiy v annaly istorii — Chzhao Fen i Tsentral’naya 
muzykal’naya konservatoriya // Narodnaya muzyka.1996. Vyp. 6. S. 10–13
4. Tszyuy Tsikhun. Istoriya muzyki v novom Kitae (1949–2000). Chansha: Khunan’ 
Meyshu, 2002. 238 s.
5. Chzhan Chaotsyun’. Fortepiano v Kitae, sovremennaya fortepiannaya muzyka, 
obrazovanie i kul’turnye osobennosti. Pekin: Kitayskaya federatsiya literaturno-khu-
dozhestvennykh izdatel’stv, 2015. 438 s.
 
Price: 0 рублей
To order