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Humanities and Science University Journal | Archive
Humanities and Science University Journal № 57 (Philology and Archaeology, World History, Art History), 2020
Journal Article:
Zh. S. Mazhitova, B. K. Omarova
Radio Operator of the 14th Rifl e Division “Ram and Breakthroughs” Sh. A. Kusanova: Pages of Biography and Front Life
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I. V. Tomashevsky
Piano Concerto No. 2 by Adolf Wiklund: between Extraordinary Style and Eclecticism
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O. B. Serdyuk, R. P. Musat
Imaginative Origami System: Transformation of Symbolic Meanings
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T. E. Nerovnaya
Late Period of P.F. Juon’s Composing Biography through his Epistolary Heritage (on the 80th anniversary of the composer’s death)
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E. R. Rau
Peculiarity of Interpreting the Passion Story when the Composer Turns to Texts of Different Gospels (Exemplifi ed by the Passions by J. MacMillan, T. Kverno, and K. M. Karlsen)
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P. М. Stepanova
Unique Character of Ritual Reconstruction in the Contemporary Polish Anthropological Theatre
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A. I. Mazhuga, Zhou Dayan
Realities of Life in O.I. Grechkin’s Engravings
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Wang Wei, S. I. Klyuchko
The Role of the Violin Repertoire in the Development of Modern Concert Playing the Chinese Bowed Stringed Instrument Erhu
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E. V. Babukhina
Expression of the “Weltschmerz” Concept in the Main Theme of the First Movement of Piano Sonata No. 4 by C.M. Weber
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A. I. Kievskaia
Analysis of Performing Problems in Corelli Variations Op. 42 D-Moll by S. V. Rachmaninoff
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E. Y. Sidorova
Verbs of the Characterized Verbal Activity in Russian Colloquial Speech
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A. A. Azhinov
Sacrifi cing Animal Heads in the Ritual Praxis of the Indigenous Peoples of the North
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A. S. Privalova
Genre and Stylistic Features of Thomas Augustine Arne’s Opera “Love in a village”
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Mao Nan
Art of Ancient Chinese Flute Dizi as a Relevant Part of Culture
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Dong Shuhan
China’s Chamber Instrumental Music at the turn of the XX–XXI centuries in the Framework of the Dialogue of Traditions between East and West
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Wang Yurong
Portraits of Chinese Emperors in the Works of G. Castiglione
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A. V. Maistrenko
The Saxophone in the Era of Totalitarianism. Art and Ideology
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S. Y. Gutova
Санкт-Петербург Psychoacoustic Resonance of Russian Timbre Intonation: Sacred Space.
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T. A. Gildina, M. V. Kurochkin
Architecture and Spatial Structure of District Cities of Vyatka Province (on the example of Sarapul and Malmyzh)
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Chang Shiyu
F. Mendelssohn. Piano Quartets
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Zhao Rongrong
Problems of Typology of Chamber and Vocal Genres in Contemporary Chinese Music
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Li Xinyan
Vocal Collection by Lu Zai-yi «I love this land»
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Li Ge
Academic Vocal Art in Contemporary Culture
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Li Yaxun
Chinese Artistic Tradition, Refl ected in Contemporary Vocal and Instrumental Music, on the Example of the Song “Spring River, Flower Moonlit Night”
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T. S. Isupova, E. G. Sakayeva
Issues of Meaningfulness of Genre and Style Notions in “Children’s Music”
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Xu Qingling
«Moments from a Peking Opera» by Chen Qigang in the Context of Contemporary Piano Art
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Wang Wenjing
Musical And Dramatic Solution of the Image of the Russian Tsar in the Opera “Peter the First” by A. Petrov
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Xu Yuyuan, O. V. Polyakova
Font as a Means of Visualizing Verbal Information
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