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Humanities and Science University Journal № 55 (Philology and Archaeology, World History, Art History), 2020

The Actualisation of the Musical and Poetic Language in the Vocal Cycle “Dianxi Poems” by the Chinese Composer Ding Shande

Li Yaxun
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 DOI:https://doi.org/10.25807/PBH.22225064.2020.55.111.122
The article gives a musicological analysis of the unknown in 
Russia vocal cycle of the Chinese composer Ding Shande “Dianxi 
Poems” (1984). The cycle praises the beauty of the Chinese 
province of Yunnan. The poetic text and musical embodiment are 
of great interest, because they combine national modal traditions 
of pentatonism with modern European harmony innovations of 
the 20th century. Of particular interest is the use of polymodal 
tonalities in the last piece of the cycle named “Camellia”. 
The music of this cycle can be interesting in the Russian cultural 
space both to musicologists and performers.
Keywords: vocal cycle, Chinese composer, harmony, melody, polytonality, pentatonism.
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