This paper is devoted to studying the image of St. Petersburg in
the watercolors of the Chinese artist who traveled around Russia.
They refl ected the luxurious architecture of Nevsky Prospect, bronze
sculptures symbolizing history, the coast of the Gulf of Finland and
countryside landscapes. The unique artistic experience and water-
color works dedicated to St. Petersburg were depicted in the special
artistic logic of the master. This paper represents the study of offi cial
reviews and critical art essays by Russian and Chinese artists on the
works of Dou Fengzhi, as well as analyzes the artist’s watercolors.
This will allow us to draw conclusions about the artistic and scientifi c
value of the work of the watercolorist who studied in Russia in a new
direction, which has been formed in the modern era
REFERENCES
1. Van Tszyan’. Evolyutsiya akvareli: materialy i tekhniki // Literatura Severnogo
Kitaya. Periodik Soyuza khudozhnikov provintsii Kheyluntszyan. Pod red. Tun Kun’.
2015. № 2. S. 230–234. (北方文学：黑龙江省作家协会主出版期刊/王建，主编：
佟堃 ，第2期，从水彩画材料和技法的发展演变思考当代水彩画，2015, 234).
2. Gogol’ N. V. Nevskiy prospekt. URL: http://az.lib.ru/g/gogolx_n_w/text_0090.
shtml (data obrashcheniya: 20.04.2020).
3. Lin’ Tsin’. Protsess razvitiya kul’turnogo obmena mezhdu Kitaem i Rossiey v
XXI veke // Angliyskiy yazyk v universitete. Periodicheskoe izdanie po spetsial’nosti
«Obrazovanie» provintsial’nogo urovnya OOO «Chtenie Khebeya». Pod red. Chzhan
Mentszyun’. 2015. № 30. S. 251–256. (校园英语：河北阅读传媒有限责任公司主
办的省级教育类专业刊物.林勤/，主编：张梦军，第30期，21世纪中俄文化交流
发展进程及影响，2015，251– 256).
4. Lyu Tszin’yan’. Ukorenit’sya na rodnoy zemle: vy’yavlenie novykh materialov.
Moy vzglyad na sovremennuyu akvarel’nuyu peyzazhnuyu zhivopis’ Kitaya // Oboz-
renie iskusstva. Periodik Nauchno-issledovatel’skogo instituta Kitaya. Pod red. Chzhao
Tsyuan’li. 2014. № 7. S. 160–161. (美术观察：中国艺术研究院出版期刊/刘金
岩，主编：赵权利，第7期，立足本地域，挖掘新素材-当代水彩风景画创作之
我见，2014，160– 161).
5. Lyu Yuytsze. Obmen i sotrudnichestvo mezhdu kitayskimi i rossiyskimi vys-
shimi uchebnymi zavedeniyami // Nauchnaya teoriya. Periodik izdatel’stva Akademii
sotsial’nykh nauk Kharbina provintsii Kheyluntszyan. Redaktsionnaya komissiya Aka-
demii sotsial’nykh nauk Kharbina provintsii Kheyluntszyan. 2013. № 35. S. 376–397.
(学理论：黑龙江省哈尔滨市社会科学院出版期刊/刘昱洁，主编：哈尔滨市社会
科学院 编辑部，第35期，中俄高校交流与合作的历史及现状，2013, 376– 397).
6. Men Syan’de, Tszan Meyin. Sovremennoe polozhenie i perspektivy kitay-
skoy sovremennoy akvareli // Khudozhestvennaya kritika. Periodik Nauchno-
issledovatel’skogo instituta Kitaya. Pod red. Tan Lin. 2016. № 7. S. 187–189. 艺术评
论：中国艺术研究院出版期刊 /孟宪德/臧美莹，主编：唐凌，第7期，中国当代
水彩画的现状与展望，2016，187–189).
7. Chzhu Di. Ot «akvareli» do «kitayskoy akvareli»: Istoriya iskusstva kitayskoy
akvareli // Izobrazitel’noe iskusstvo. Yezhemesyachnik Soyuza khudozhnikov Kitaya
(Pekin). Pod red. Soyuza khudozhnikov Kitaya. 2015. № 8. S. 192–194. (美术：中国
美术家协会（北京）出版月刊/诸迪，主编：中国美术家协会，第8期，从“水彩“
到”中国水彩”—中国水彩的历史与叙事，2015，192– 194).
8. Yuy Tsze. Peterburg: gorod pamyati // An’khoyskaya literatura. 2007. № 7. S. 5–52.
(余杰，彼得堡-记忆之城，《安徽文学》，2007 第七期, 5–52).
