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Humanities and Science University Journal № 48 (Philology and Archaeology, World History, Art History), 2019

Using the Unique Sound of National Instruments in Chinese Piano Music (exemplifi ed by Jiang Zuxin suite “Mountain fl owers”)

Cai Zhiyun
Price: 50 руб.
The multi-timbral compatibility of the piano with other musical 
instruments ensured a harmonious combination between the Chinese 
folk culture and piano music. The latter saw development and dis-
semination of the suites which, on the one hand, bear the traits of 
folk charm, but, on the other hand, use a variety of new techniques. 
Melodic ornaments are special embellishment techniques applied to a 
musical phrase or even a sound, i.e. vibrato, glissando, mordent etc.
Keywords: piano music, national instruments, Chinese composers.
1. Bian Meng. Moya sud’ba v muzyke: interv’yu s professorom Tszyan Zaksinom // 
Fortepiannoe iskusstvo. Pekin: Narodnaya muzyka, 1997. № 2. S. 4–6.
2. Van Yukhua. Ispol’zovanie tembra natsional’nykh muzykal’nykh instrumentov pri 
ispolnenii na fortepiano // Sychuan: Muzykal’nye poiski. 2008. № 3. S. 71–74.
3. Zou Li. Poeziya i zhivopis’ v kitayskoy fortepiannoy muzyke // Guansi: Populyar-
naya nauka i tekhnika. 2011. № 4. S. 184–193.
4. Lyu Fey. Natsionalizatsiya kitayskogo fortepiano — nachinaya s imitatsii 
Rantsyana i natsional’nykh muzykal’nykh instrumentov // Sin’tszyan: zhurnal peda-
gogicheskogo kolledzha Khetiana. 2010. № 4. S. 210–215.
Price: 50 рублей
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