E. K. Mnatcakanian
Price: 50 руб.
DOI:
https://doi.org/10.25807/PBH.22225064.2019.46.161.168
The article is devoted to the problem of interpreting the con-
certo genre in the choral work of the famous Russian-French
composer Valery Arzumanov. The author presents brief facts
of the composer’s biography, defi nes the role of the concerto
in his music. The author focuses on implementation of the
sacred theme, and analyzes the history of creation, content,
drama, structure of concertos, their intonation, rhythmic and
harmonic language.
Keywords: choral concerto, French composer, choral music, repentance theme, contemporary composer, sacred music, vocal cadence.
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