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The article deals with the analysis of diffi culties in performing ensemble fragments in K. Nielsen’s Concerto for clarinet & orchestra, Op. 57. The history of its creation, the structure
and specifi c features of performing this work are discussed in the article. In the conclusion the author highly appreciates the Concerto for clarinet and orchestra by K. Nielsen.
Keywords: clarinet, instrumental music, Carl Nielsen; Concerto for clarinet and
orchestra; clarinetists; conductors.
REFERENCES
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3. Carl Nielsen til samtid. Copenhagen, 1999. 513 p.
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Rev. ed. London: Kahn&Averill, 1979. 84 p.