Price: 50 руб.
This article is devoted to the history of the formative period of still-life oil painting in China. The author explores the development of this genre during the past century and
provides a brief analysis of the processes of “sinicization” of the European still-life in the quest for a distinct artistic form.
Keywords: still-life, oil paintings, freehand brushwork in still-life painting.
REFERENCES
1. Ding Xilin. Vechnaya strast’. Istoriya razvitiya iskusstva khudozhnika Chen Junde.
2015. (《激情不灭-艺术隐士陈钧德的成长史》， 2015-08-01，丁曦林.)
2. Lü Xiaoqiang. Kratkiy obzor razvitiya kitayskogo natyurmorta v maslyanoy
tekhnike // Literaturno-khudozhestvennaya zhizn’. Literaturno-khudozhestvennaya
teoriya. 2013. № 4. S. 203–203. (《中国静物油画发展述评》 —《文艺生活.文艺
理论》 , 2013 (4): 203–203 .作者：吕小强.)
3. Fan Wennan. Kratkiy analiz vliyaniya sovetskogo izobrazitel’nogo iskusstva na
kitayskuyu maslyanuyu zhivopis’ v period s 1949 po 1976 gg. // Khudozhestvennyi
obzor. 2010. № 3. S. 184–189. (《浅谈苏联美术教育对中国油画的影响1949–1976》 —
《美术大观》， 2010 (3): 184–189.作者：范文南.)
4. Cheng Yapeng. Istoriya razvitiya i znachenie maslyanoy zhivopisi Kitaya v stile
«se-i» // Mirovoe izobrazitel’noe iskusstvo. 2011. № 4. S. 91–96. (《中国写意油画
的发展历程及意义》 —《世界美术》 (京), 2011年第4期 第91–96. 作者：程亚鹏.)
5. Shui Zhuntian. Proniknovenie maslyanoy zhivopisi v Kitay i eyo ranneye razvitie // Khudozhestvennye issledovaniya. 1987. № 1. S. 57–61. (《油画传入中国及其
早期的发展》 —《美术研究》， 1987 (1): 57–61.作者：水中天.)
