Price: 50 руб.
The article analyzes the book by S. Feĭnberg, an outstanding Russian pianist, from the vantage point of the modern piano performing art and pianism. The author explores some crucial issues for the Chinese piano art. He reviews the composition style, rhythm, musical form, sound, and pedalization.
Keywords: piano, interpretation, composer, performer, pedagogue, tradition, modernity.
REFERENCES
1. Gol'denveyzer A. Sovety pedagoga-pianista // Pianisty rasskazyvayut. M.:
Muzyka, 1990. Vyp. 1. S. 159–176.
2. Margulis V. Ob interpretatsii fortepiannykh proizvedeniy Betkhovena. M.:
Muzyka, 1991. 80 s.
3. Neygauz G. Ob iskusstve fortepiannoy igry. M.: Gosudarstvennoe muzykal'noe
izd-vo, 1961. 319 s.
4. Feynberg S. Pianizm kak iskusstvo. M.: Muzyka, 1969. 598 s.
