O. G. Makho
Price: 50 руб.
Isabella d’Este belonged to the most educated rulers of the Renaissance. She made
great efforts for creating a series of paintings for her studiolo in the Mantua residence.
Marchesa’s correspondence with Pietro Perugino demonstrates her erudition in ancient
culture and the direct infl uence of Philostratus’s “Imagines” on her thinking and
epistolary style.
K e y w o r d s: Philostratus’ “Imagines”, Isabella d’Este, Mario Equicola, Pietro
Perugino, studiolo, Renaissance culture, allegorical painting.
References
1. Makho O. G. Izabella d’Este — zakazchitsa. «Bitva Lyubvi i Tselomudriya» P’etro Perudzhino dlya studiolo v Mantue // Dom Burganova. Prostranstvo kul’tury. 2014. № 4. S. 79–86.
2. Filostrat (Starshiy i Mladshiy). Kartiny. Kallistrat. Statui /prim., per. i vved. S. P. Kondrat’yeva. L., 1936.
3. Campball S. The cabinet of Eros: Renaissance mythological painting and the studiolod’ Isabellad’ Este. New Haven, 2006.
4. Cherchi P. Equicola, Mario // Dizionario Biografi co deg liItaliani. Roma, 1993.Vol. 43. P. 34–40.
5. Ferino-Pagden S. La prima donna delmondo. Isabella d’Este. Fürstin und Mezenatin der Renaissance: ausstellungs katalog.Wien, 1994.
6. Kolsky S. An Unnoticed Description of Isabella d’Este’s Grotta// Journal of the Warburg and Courtauld Institutes. 1982. T. LXV. P. 234–235.
7. Verheyen E. The Paintings in the Studiolo of Isabella d’Este at Mantua. Mantova, 1971.
