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Humanities and Science University Journal | Archive
Humanities and Science University Journal № 83 (Philology and Archaeology, World History, Art History), 2024
Journal Article:
Vitaly G. Ananiev, Oleg A. Lyubeznikov
St. Isaac’s Cathedral in the Decisions of the Soviet Power in 1927–1928 (Part 2)
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Olga S. Sapanzha, Vyacheslav V. Babiyak
The Department of Fine Arts and the First Steps of Artistic and Pedagogical Education in Leningrad in 1961–1962
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Oksana B. Vakhromeeva
The Activities of the Saint Petersburg University Museum of Fine Arts as a Premise for the Creation of the Museum of the Same Name at the Bestuzhev Courses (Based on the Materials of the Central State Historical Archive of Saint Petersburg)
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Dmitriy P. Samorodov, Pavel N. Aleshin
Social Differentiation of the Settlers of Ufa Governorate in the Conditions of the Post-Reform Transformation of the 19th Century
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Alena S. Ergina1 , Olga B. Elkan2
Byzantine Ornament in Mural Painting of Cave Temples of Mountainous Southwestern Taurica of the 13th–15th Centuries
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Olga L. Nekrasova-Karateeva, Darya G. Stepanova
An Art Council as a Tool for Regulating the Range and Quality of Works of the Art Industry (Based on the Example of the Art Council of the Leningrad Decorative and Applied Arts Combine)
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Li Xinyu, Elena A. Aleksandrova
Stylistic Features of Music for Children of C. Cui (Based оn the Vocal Cycle of 17 Children’s Songs, Op. 73)
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Marina V. Smirnova, Gu Yongcheng
H. Neuhaus and the Modern Concert Stage (on the Occasion of the 60th Anniversary of the Pianist’s Death)
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Elina K. Mnatsakanyan
Genre Originality of Semyon Nyarui’s Songs
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Jia Xinuo
The Work of the Composer M. Matyushin in the First Quarter of the 21st Century: Oblivion? No — Rebirth
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Irina A. Demidova
Ekaterina A. Aleksandrova: the Role of the Performer’s Personality in Folk Traditional Culture
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Ekaterina A. Travina
Linguistic Representation of Māori Women’s Ethnic Identity in New Zealand Media Discourse: Semantic Macro-Areas and Discursive Strategies
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Bi Wenjun
Urban Themes in Zhou Long’s Oratorio
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Polina V. Zapadalova
An Unknown Scheme for the Cycle “Our Father” in the Siya Compendium
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Liu Yujie
Stages of the Development of Chinese Piano Music
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Andrey S. Molchanov
G. Ligeti’s Work with Single-Tone Structures
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Yekaterina A. Girchenko
Organisation of Defense against Nomads in the Northwestern Prefectures of the Han Empire (Based on Hanjian Bamboo Slips of Zhangye Commandery)
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Ivan V. Nesvetailo
The Formation of the Modern Russian School of Mosaic Art: from the Creation to the Restoration of the Mosaic “Jesus Blessing the Children” on the Facade of the Saint Petersburg State Institute of Cinema and Television on Pravda Street
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Ksenya S. Podolskaya
System-Structural Analysis of Contemporary Interactive Sculpture
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Elena S. Korvackaya
Art History Drawing in the Context of Research Practices
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Zhang Mingyi
Traditional Chinese Origins in the European Musical-Stylistic Context: the Type of Folklorism of Two Instrumental Miniatures by Chinese Composers
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Bi Xinge
The Specifi cs of the Applied Art of Processing Fish Bones in the Jiajinkou-Nanai National Municipality
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Viktoriia V. Gorbunova
“A Letter from the Front” Painting (1947) by A. I. Laktionov. The Story of the Masterpiece
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Elena V. Medvedeva
Musical and Speech Intonation in Chamber Vocal Works by A. B. Goldenweiser Based on the Example of the Romance “Fantasy”, Op. 5
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Song Rui
Convergence of Differences. A Series of Paintings “Shrimp” by Qi Baishi
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Liang Lanyu
The Piano Opus 33 by Felix Mendelssohn: a Pianist’s Current View
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Niu Yunmeng
Traditions and Modernity in the Production of “Dream of the Red Chamber” by the Northern Kunqu Theatre
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Yang Jianqu
Interpretation of the Image of China in Anton M. Legashev’s Paintings
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Dai Mengying
Style Features in Li Yuqiu’s Works for Bayan and Accordion
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Tatyana V. Leskova
The Style Model of Russian Musical Classics of the First Half of the 19th Century in the Work of Far Eastern Composers of the 20th and Early 21st Centuries
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