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Humanities and Science University Journal | Archive
Humanities and Science University Journal № 82 (Philology and Archaeology, World History, Art History), 2024
Journal Article:
Elena K. Blinova, Tatyana A. Gildina
The Chorological Concept and Information Potential of Reference Publications of the Late 18th — Early 20th Centuries in the Study of Regional Architecture of Russia (based on church architecture of the Vyatka Governorate)
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Vitaly G. Ananiev, Oleg A. Lyubeznikov
St. Isaac’s Cathedral in the Decisions of the Soviet Power in 1927–1928 (Part 1)
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Tatiana V. Portnova
Theatricalisation as a Means of Psychological Impact in Garden and Park Art of the 18th–19th Centuries
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Oleg Y. Koshelev
Features of Transcription for Piano Duet Using the Example of the Ballet “Petrushka” by I. F. Stravinsky in the Arrangement (Version) for Two Pianos by V. Babin
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Olga S. Sapanzha, Vyacheslav V. Babiyak
The History of Leningrad Education in the Field of Art: Portraits of the First Deans of the Art and Graphic Faculty of the Leningrad Herzen Pedagogical Institute
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Elena V. Stepanova
Saint Petersburg Society of Friends of Music: the history of the foundation of the association
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Niu Jingjing, Lyudmila A. Skaftymova
Symphony No. 2 by E. Denisov: the Lyrical Echo of the Tragic Concept
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Zhang Mingyi
The Specifi city of Refraction of Musical Tradition in Ma Siсong’s Arrangement of “The Song of Longing for the Homeland” for Violin and Piano
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Zhu Shiqi, Nadezhda V. Medvedeva
The Genre of Piano Sonata in the Works of Russian Composers of the Second Half of the 20th Century
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Olga L. Nekrasova-Karateeva, Darya G. Stepanova
Leonid Karateev and the Role of the Combine of Decorative and Applied Arts in the Formation of the Artistic Environment of Leningrad
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Ksenya S. Podolskaya
Soviet Everyday Life in the Art Works of Modern Artistic Ceramics Enterprises: Content Basis, Expressive Techniques, Stylistic Parallels
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Xie Lingling, Svetlana A. Mozgot
In Dialogue with Tradition: the Specifi cs of Tan Dun’s Creative Method
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Gu Yining
The Origins of the Performing Culture of Brass Instruments
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Liu Yang
Methods of Implementing the Russian Church and Singing Tradition in S. V. Rachmaninoff’s “All-Night Vigil”
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Li Jinchang
Sonatas of Saint Petersburg Composers in the Mirror of the Russian Music Traditions (based on the works of A. Dzyuba)
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Lyudmila A. Skaftymova
The Patriotic Theme in Cantata and Oratorio Works by Yu. Shaporin
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Anastasia N. Papenina
The Association of Contemporary Music: Past and Present
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Sergej V. Kulakov
Minister-Chairman of the Provisional Government, Prince G. E. L’vov and General M. V. Alekseyev in March–July 1917
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Almaz R. Gapsalamov
The Peculiarities of the Formation of a Centralised Economy (using the example of the activities of the People’s Commissariat of Local Industry of the Tatar ASSR)
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Liu Yujie
The Origin and Development of Piano Art in China
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Song Rui
A Beautiful Yellow Oriole. The Poetics of Taoist Painting in the Refl ections of Chinese Artists
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Yang Fei
Exhibition Activities of Chinese Artists in Russia in the System of Intercultural Communication in the First Quarter of the 21st Century
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