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DOI:https://doi.org/10.25807/22225064_2021_64_52
In the middle of the XX — early XX centuries, a number of piano works which were arrangements of folk songs or plays written for other national instruments were created in China. In course of historical transformations, many folklore primary sources gradually disappeared from creative use and were forgotten. The author examines the causes of this phenomenon from the point of view of social problems of development and continuity of traditional culture, including in the fi eld of education, and suggests using the genre of piano arrangement to popularize the best examples of Chinese ethnic music both in his country and abroad.
Keywords: Arrangement, adaptation, Beijing opera, traditional music, continuity
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