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Humanities and Science University Journal | Archive
Humanities and Science University Journal № 61 (Philology and Archaeology, World History, Art History), 2021
Journal Article:
V. V. Babiyak
The Interpretation of an Ensemble of Soloists in Works by Contemporary Russian Composers
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M. N. Baryshnikov, D. S. Fedotiev
Russian Steam Navigation and Trading Company and Orthodox Pilgrimage: Shipping Operations in the Eastern Mediterranean in 1860–1864
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T. V. Sholomova, E. O. Andreychik
Street Art and the Problem of its Institutionalization
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R. G. Shitikova
Music Genre as a Phenomenon of Artistic and Creative Thinking
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I. V. Ostromogilsky
Sonorism in Russian Orchestral Music of the 1960s–2000s
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O. N. Esono
Scandinavian Features in Medieval Wooden Churches of Northwestern Regions of Russia: Architectural Image and Plastics
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A. A. Piotrovskaia
Between the Schools of Venice and the Terraferma. Features of Style and Iconography of the “Male Portrait” by Giovanni Battista Moroni from the Collection of the State Hermitage Museum
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A. F. Esono
Ambrosio Spinola’s Victories of 1620–1621 on the Playing Field: a Print from the Publishing House of Abraham Hogenberg as Part of the Series and as an Independent Baroque Broadsheet
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V. D. Soshnikov, F. D. Shakhnazaryants
Animation in Documentary Films
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R. P. Musat, D. O. Shavlygin
The Origins of the Sculptural art Formation in the Territory of Krasnoyarsk
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Yu Tiantian
Chinese Popular Music: Origins and Foundations
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Zeng Yiyi
Anton Rubinstein’s piano concerto No. 2, Op. 35 (the problem of musical interpretation)
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L. A. Skaftymova, Yang Pei
Characteristics of Chinese Piano Music Performance
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L. P. Zinovieva
History Issues of Music Conducting Art
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Fan Yanmeng
Techniques as a Means of Expressing Energy in Planar Spaces of Abstract Painting
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Li Ningxuan
Tools of calligraphy is the key to Chinese art
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Lin Yongchao
Xie-yi Traditions in Modern Chinese Still Life in Oil Painting Technique
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Yang Yi
Contemporary Marine Art: Specifi cs of Terminology
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Li Shusi
Vocal Chamber Music by Russian Composers in I. P. Bogacheva’s Interpretation
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I. V. Kirienko, O. V. Perich
Synthesis of Arts in the Artistic Worldview within the Baroque Period
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D. P. Pavliy
The Place of Russian Romance in the Composing Activity of M. I. Glinka, the Great Russian Composer and Melodist
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Sun Jiayan
Bird Voices in the Piano Cycle of Olivier Messiaen: on the Problem of New Musical Material
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Li Yaxun
The Vocal Cycle “A Dream in the Red Chamber” by Chinese Composer Wang Liping: Refraction of National Traditions in a Modern Musical Form
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Xie Yueyue
Saint Petersburg as a source of inspiration in modern watercolor painting (on the materials of exhibitions and projects of St. Petersburg Society of Watercolor Artists in 2007-2019)
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Zhang Weijian
Imagery of Contemporary Chinese and Russian Watercolor Painting
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Feng Tiancong
Myths, Tools and Concepts — Changes of Musical Images in European Painting
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Yang Fei
Individual Approaches of Chinese Artists to Landscape Painting
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Liang Xiaoxue, A. V. Dyachkov
F. Chopin’s Preludes as an Esthetic Paradox
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E. A. Sazonova, O. N. Romanova
“Peter’s Creation”. Review of the Monograph: The Phenomenon of the Russian Intelligentsia of the Late XIX — Early XX Centuries / V. V. Riabov, E. A. Tokareva, Y. N. Guseva [et al.]; Scientifi c Editing by V. V. Kirillov. Moscow: OntoPrint, 2020. 204 p.
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