The paper analyzes peculiarities of vocal art development in the context
of the contemporary musical culture. The processes of mixing genres
and styles that take place today, have an impact on the formation of
different vocal manners. New techniques, involved in the sphere of vocal
performance, change the requirements for the singing articulation,
infl uence the traditional notions about the skill of a vocalist. However,
the academic vocal training that reveals the natural character of the
voice, its expressive possibilities and perfection of its cantilena sounds
are retained as the benchmark of singing art. Coverage of academic
vocal school issues in music literature highlights the problems and
prospects of classical vocal art in the framework of mass art.
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