P. М. Stepanova
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DOI:https://doi.org/10.25807/PBH.22225064.2020.57.56.64
The philosophy and praxis of theatre anthropology of the Polish innova-
tive director Jerzy Grotowski of the 1970s–1990s laid the groundwork
for a complex cultural phenomenon of the modern Polish art — anthro-
pological theatre. The basic method of work of theatrical companies
following Grotowski’s vision consists in reconstruction of ritual-
theatrical forms originating in various epochs and cultures. Through
examples of productions of Scholi Teatru Węgajty in late 20th — early
21st centuries, the paper reveals unique techniques of reconstruction
of the ritual structure based on free interpretation of the symbolic and
axiological components of acting, thereby creating a new model of
communication between the performer and the spectator in the modern
theatre, which relies on joint participation in a ritual process.
Keywords: anthropological theatre, spectatorparticipator, structure of a ritual, corporal
techniques.
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