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DOI:https://doi.org/10.25807/PBH.22225064.2020.56.116.125
The paper considers key aspects of the analysis, which are essen-
tial for adequate interpretation of chamber and vocal music of
Chinese composers — so-called “art songs”. These aspects are
a three-piece structure, national component, linguistic specifi cs.
Each aspect has also its own complexity: the three-piece structure
means relative autonomy and self-suffi ciency of three components
of an “art song”: melody, lyrics, piano score; the national com-
ponent is correlated with numerous unique regional subcultures,
the linguistic specifi cs is refl ected in phonetic peculiarities of a
poetic text. Underestimation of these factors can lead to misin-
terpretation of chamber and vocal music of Chinese composers.
The paper provides several examples of intricacies of art songs
of the 20th century.
Keywords: Chinese art songs, chamber and vocal genres, traditional music, baihua, linguistic tone.
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