This paper discusses the creative work of the outstanding Russian
singer I. Bogacheva and the impact that she made on Chinese
vocal performance and education. The performance style of the
singer and her place in the vocal culture of the era are considered.
Statements of major musicians about the art of the singer, as well
as memories of her Chinese students are given. The performing
and pedagogical principles of Bogacheva are analyzed in their
interrelationship.
Keywords: vocal, performance, opera, chamber singing, teaching, school, traditions,
modernity.
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