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Humanities and Science University Journal № 56 (Philology and Archaeology, World History, Art History), 2020

Paradoxical as a Sign in the Late Chamber Vocal Cycles of B. I. Tishchenko

G. P. Ovsyankina, E. N. Yakovleva
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 DOI:https://doi.org/10.25807/PBH.22225064.2020.56.48.58
The paper is devoted to the characterization of the late 
chamber vocal cycles of B. I. Tishchenko in the aspect of the 
manifestation of the paradoxical duality principle in them. 
It is a distinctive feature of the composer’s vocal works of 
the mid-1990s — early 2000s. The principle of paradox made 
the musical content more realistic, large-scale, and multi-
dimensional, and made the chamber vocal cycle ambiguous 
in terms of genre. The source of the paradoxical approach 
is the specifi c selection and arrangement of literary primary 
sources. The vocal cycles “The Devildraft”, “Simple Truth”, 
“The Orange” are involved in the study.
Keywords: chamber vocal cycle, literary source, paradoxical duality phenomenon, 
vocal genre, means of musical expression, musical content.
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3. Stepanov N. Primechaniya // Gogol’ N. V. Sobranie sochineniy. M: Gosizdat-vo 
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