For his professional life the greatest master of the theatre, Vsevolod
Emilievich Meyerhold created a new format for theatrical performance.
He was the initiator of the unique concept of revolutionary theatre, and
he was able to excite and shock the Chinese theatre world. In the 70-s
China started opening up more and more to the world, and in addition
to expanding the economic sphere beyond the country, the sphere of art
was also enriched with knowledge of various artistic forms. During this
cross-cultural exchange, China gradually became acquainted with the
theatrical concepts of Meyerhold. Two parts are distinguished in this
paper: 1. The avant-garde theatre localized in China and 2. Meyerhold
as the best connoisseur of the traditional Chinese opera among Russian
theatre fi gures. In the context of these two parts, we study and analyze
Meyerhold’s infl uence on the Chinese theatre, as well as refl ection of
cross-cultural characteristics of Meyerhold’s theatre theories on stage art.
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