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Humanities and Science University Journal № 54 (Philology and Archaeology, World History, Art History), 2020

Piano Capriccio by F. Mendelssohn (on the Problem of Performing Interpretation)

Ma Yingjun, L. A. Skaftimova
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 DOI:https://doi.org/10.25807/PBH.22225064.2020.54.65.71
In the paper, F. Mendelssohn’s piano capriccios are con-
sidered from stylistic, performing, and methodological 
positions, which is done in musicology for the fi rst time. 
The authors analyze the system of Mendelssohn’s perform-
ing instructions and the main diffi culties arising in the study 
of works written in the style of capriccio. The context of 
the paper includes a comparative analysis of performing 
interpretations. The issues of Mendelssohn’s music per-
formed by Russian and foreign pianists are touched upon. 
The importance of introducing Mendelssohn’s capriccio into 
the concert and pedagogical repertoire of Chinese pianists 
is emphasized.
Keywords: capriccio, piano, style, composer, heritage, era, perception, musical show, concert, listener, teacher, traditions, innovation, program, repertoire, pianist, author’s text, interpretation, dynamics, articulation, pedal
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